DESIGN
Print Design
Brochure Layout
Informational Design
PROGRAMS
Indesign
Photoshop
DATE
2024
DESIGN
Print Design
Brochure Layout
Informational Design
PROGRAMS
Indesign
Photoshop
DATE
2024
Channel Islands
BRIEF
The Channel Islands National Park is composed of 5 islands off the coast of Southern California. Rich with beautiful flora and fauna, the park is the perfect place to take a a peek at species only found on Channel Islands. To showcase its beauty and entice visitors, I created 2 concept brochures: Version A, mimicking the official National Park brochure layout, and Version B: a modern, contemporary layout with a monochrome limitation.
BRIEF
The Channel Islands National Park is composed of 5 islands off the coast of Southern California. Rich with beautiful flora and fauna, the park is the perfect place to take a a peek at species only found on Channel Islands. To showcase its beauty and entice visitors, I created 2 concept brochures: Version A, mimicking the official National Park brochure layout, and Version B: a modern, contemporary layout with a monochrome limitation.
CHALLENGE
How can I design 2 vastly different concept brochures for the Channel Islands National Park: 1 maintaining official layouts and guides, and another utilizing a monochrome palette and a contemporary layout?
CHALLENGE
How can I design 2 vastly different concept brochures for the Channel Islands National Park: 1 maintaining official layouts and guides, and another utilizing a monochrome palette and a contemporary layout?
SOLUTION
Version A was created with a priority in mind: design with official brochure standards as a foundation. I made use of strong focal points detailing beautiful landmarks, flora, and fauna, while keeping a structured grid for all bodies of text. Version B was a test to breakout of a traditional grid system; while I still utilized the structure, I explored an unconventional way of blocking text, image sizing, and layering.
SOLUTION
Version A was created with a priority in mind: design with official brochure standards as a foundation. I made use of strong focal points detailing beautiful landmarks, flora, and fauna, while keeping a structured grid for all bodies of text. Version B was a test to breakout of a traditional grid system; while I still utilized the structure, I explored an unconventional way of blocking text, image sizing, and layering.
VERSION A: PROCESS
This version focused heavily on the grid layout and system of official National Park brochures, and I started the project by studying the existing Channel Islands brochure. I took note of the use of nature illustration throughout the layout, and how it took up much more of the space than the information. I sought to find a balance between the two, while accentuating the beauty of the islands through photos of its landscape and animals.
VERSION B: PROCESS
Version B focused on a modern, contemporary layout with a monochrome palette restriction. I started this project by messing with image sizes and placement. I then opted to explore textures, layering, and unconventional text boxes. I wanted Version B to showcase a bold alternative to Version A's clean consistency.
LOGO EXPLORATION
Alongside the print designs, I designed a concept logo for the park. I first researched some of the highlights of the Channel Islands, including species and experiences that are specific to the park. I aimed to keep a simplistic approach that encompasses the islands' offerings while tying into the brochure designs with a three-color palette.
VERSION A: PROCESS
This version focused heavily on the grid layout and system of official National Park brochures, and I started the project by studying the existing Channel Islands brochure. I took note of the use of nature illustration throughout the layout, and how it took up much more of the space than the information. I sought to find a balance between the two, while accentuating the beauty of the islands through photos of its landscape and animals.
VERSION B: PROCESS
Version B focused on a modern, contemporary layout with a monochrome palette restriction. I started this project by messing with image sizes and placement. I then opted to explore textures, layering, and unconventional text boxes. I wanted Version B to showcase a bold alternative to Version A's clean consistency.
VERSION A: PROCESS
This version focused heavily on the grid layout and system of official National Park brochures, and I started the project by studying the existing Channel Islands brochure. I took note of the use of nature illustration throughout the layout, and how it took up much more of the space than the information. I sought to find a balance between the two, while accentuating the beauty of the islands through photos of its landscape and animals.
VERSION B: PROCESS
Version B focused on a modern, contemporary layout with a monochrome palette restriction. I started this project by messing with image sizes and placement. I then opted to explore textures, layering, and unconventional text boxes. I wanted Version B to showcase a bold alternative to Version A's clean consistency.
VERSION A: PROCESS
This version focused heavily on the grid layout and system of official National Park brochures, and I started the project by studying the existing Channel Islands brochure. I took note of the use of nature illustration throughout the layout, and how it took up much more of the space than the information. I sought to find a balance between the two, while accentuating the beauty of the islands through photos of its landscape and animals.
VERSION B: PROCESS
Version B focused on a modern, contemporary layout with a monochrome palette restriction. I started this project by messing with image sizes and placement. I then opted to explore textures, layering, and unconventional text boxes. I wanted Version B to showcase a bold alternative to Version A's clean consistency.
LOGO EXPLORATION
Alongside the print designs, I designed a concept logo for the park. I first researched some of the highlights of the Channel Islands, including species and experiences that are specific to the park. I aimed to keep a simplistic approach that encompasses the islands' offerings while tying into the brochure designs with a three-color palette.
LOGO EXPLORATION
Alongside the print designs, I designed a concept logo for the park. I first researched some of the highlights of the Channel Islands, including species and experiences that are specific to the park. I aimed to keep a simplistic approach that encompasses the islands' offerings while tying into the brochure designs with a three-color palette.
DESIGN
Print Design
Brochure Layout
Informational Design
PROGRAMS
Indesign
Photoshop
DATE
2024
Channel Islands
BRIEF
The Channel Islands National Park is composed of 5 islands off the coast of Southern California. Rich with beautiful flora and fauna, the park is the perfect place to take a a peek at species only found on Channel Islands. To showcase its beauty and entice visitors, I created 2 concept brochures: Version A, mimicking the official National Park brochure layout, and Version B: a modern, contemporary layout with a monochrome limitation.
CHALLENGE
How can I design 2 vastly different concept brochures for the Channel Islands National Park: 1 maintaining official layouts and guides, and another utilizing a monochrome palette and a contemporary layout?
SOLUTION
Version A was created with a priority in mind: design with official brochure standards as a foundation. I made use of strong focal points detailing beautiful landmarks, flora, and fauna, while keeping a structured grid for all bodies of text. Version B was a test to breakout of a traditional grid system; while I still utilized the structure, I explored an unconventional way of blocking text, image sizing, and layering.
LET'S GET IN TOUCH
Have a question? Interested in recruiting my talents?
Or just want to make conversation?
Don’t hesitate to reach out!
LET'S GET IN TOUCH
Have a question?
Interested in recruiting my talents?
Or just want to make conversation?
Don’t hesitate to reach out!
LET'S GET IN TOUCH
Have a question? Interested in recruiting my talents?
Or just want to make conversation?
Don’t hesitate to reach out!
LET'S GET IN TOUCH
Have a question? Interested in recruiting my talents?
Or just want to make conversation?
Don’t hesitate to reach out!
Wireframed/Designed in Figma, Built in Framer.
© 2025 Janina Chan. All Rights Reserved.
JANINA
CHAN
Wireframed/Designed in Figma, Built in Framer.
© 2025 Janina Chan. All Rights Reserved.
JANINA
CHAN
Wireframed/Designed in Figma, Built in Framer.
© 2025 Janina Chan. All Rights Reserved.
JANINA
CHAN
Wireframed/Designed in Figma, Built in Framer.
© 2025 Janina Chan. All Rights Reserved.
JANINA
CHAN
DESIGN
Print Design
Brochure Layout
Informational Design
PROGRAMS
Indesign
Photoshop
DATE
2024
Channel Islands
BRIEF
The Channel Islands National Park is composed of 5 islands off the coast of Southern California. Rich with beautiful flora and fauna, the park is the perfect place to take a a peek at species only found on Channel Islands. To showcase its beauty and entice visitors, I created 2 concept brochures: Version A, mimicking the official National Park brochure layout, and Version B: a modern, contemporary layout with a monochrome limitation.
CHALLENGE
How can I design 2 vastly different concept brochures for the Channel Islands National Park: 1 maintaining official layouts and guides, and another utilizing a monochrome palette and a contemporary layout?
SOLUTION
Version A was created with a priority in mind: design with official brochure standards as a foundation. I made use of strong focal points detailing beautiful landmarks, flora, and fauna, while keeping a structured grid for all bodies of text. Version B was a test to breakout of a traditional grid system; while I still utilized the structure, I explored an unconventional way of blocking text, image sizing, and layering.
VERSION A: PROCESS
This version focused heavily on the grid layout and system of official National Park brochures, and I started the project by studying the existing Channel Islands brochure. I took note of the use of nature illustration throughout the layout, and how it took up much more of the space than the information. I sought to find a balance between the two, while accentuating the beauty of the islands through photos of its landscape and animals.
VERSION B: PROCESS
Version B focused on a modern, contemporary layout with a monochrome palette restriction. I started this project by messing with image sizes and placement. I then opted to explore textures, layering, and unconventional text boxes. I wanted Version B to showcase a bold alternative to Version A's clean consistency.
LOGO EXPLORATION
Alongside the print designs, I designed a concept logo for the park. I first researched some of the highlights of the Channel Islands, including species and experiences that are specific to the park. I aimed to keep a simplistic approach that encompasses the islands' offerings while tying into the brochure designs with a three-color palette.
LET'S GET IN TOUCH
Have a question? Interested in recruiting my talents?
Or just want to make conversation?
Don’t hesitate to reach out!
LET'S GET IN TOUCH
Have a question? Interested in recruiting my talents?
Or just want to make conversation?
Don’t hesitate to reach out!
Wireframed/Designed in Figma, Built in Framer.
© 2025 Janina Chan. All Rights Reserved.
JANINA
CHAN
Wireframed/Designed in Figma, Built in Framer.
© 2025 Janina Chan. All Rights Reserved.
JANINA
CHAN
JANINA CHAN
JANINA CHAN
JANINA CHAN
JANINA CHAN